SPACE DIMENSIONS :.

THE UNIVERSAL HOLOGRAM

  Posted Jan 06.05

Part Two

Correlative with progressive subdivision, the velocities, frequencies, and energy levels of parts and particles increase inversely as an exponential function of size. When subdivision of a tridimensional material body reaches finality by total conversion of volume into plane, material is entirely transformed into pure radiant photonic energy defined by the velocity of light. (*4) In other words, hyperspace is nothing but pure, kinetic energy. The higher dimensions of hyperspace are the very dimensions of energy already measured, plotted, and equated by physicists and engineers since Newton wrote his PRINCIPIA.

The same equations that accelerate velocity as an inverse exponential function of size also prove that size is diminished as an exponential inverse function of velocity. In other words, size is reduced by accelerated velocity. As a result, a star decreases in size inversely with increase in mass until it disappears into atomic dimensions upon collapse into the hyperlight zone of a Black Hole. Conversely, a photon grows to infinite size as it decelerates from light speed. (*5)

Einstein used the equations of the Fitzgerald Contraction to prove that extension is lost on the axis of travel as a function of accelerated velocity until a structure is squeezed into a plane at light speed; plane photons is the result of that Fitzgerald Contraction. Transformations occur instantaneously above light speed; immediately over the time barrier at the light limit, the plane contracts into a line and the line collapses into a superdense point. The lines are probably manifest as String Theory and the points are particles composing the strings.

The rear end of a racing car crosses the finish line after the front end. From the velocity of the car and the temporal interval between the front and rear ends, the length of the car can be calculated; only professional mathematicians would conceive of such a complicated way to measure the overall length.
The front end of a bullet enters a target ahead of the back end. From the velocity of he bullet and the temporal interval between the front and rear ends, the length of the bullet can be calculated. The bullet, however, travels much faster than a car, and a bullet is also much smaller. It is considerably more difficult, therefore, to measure the temporal interval with any significant precision; for all practical purposes, the rear end of a bullet reaches the target in the same instant as the front end. When dealing with a particle as small as a photon travelling at light speed, it is physically impossible to detect any temporal difference between its bow and stern. Therefore, for all mathematical purposes, both leading and trailing surfaces of the photon pass the measuring point in the same instant. Mathematically, it is possible for two separated surfaces to occupy the same point in space at the same instant of time only at infinite velocity; as a consequence, light speed is mathematically equivalent to infinite velocity. Since four dimensions of space are required for two volumes to occupy the same location at the same instant, it follows that acceleration to light speed expands the spacial extension of a structure from three dimensions to four. Conversely, (*3) it is possible for the trailing end of a particle travelling at a finite velocity to pass the measuring point in the same instant as the leading end only if there is no distance between the two ends. A perfect plane is the only mathematical structure without any distance between its front and its rear.
Since a plane has no extension in the third dimension, it is mathematically possible to lay an indefinite number of planes in the same plane. And that is why planes answer the definition of hyperspace. Furthermore, the elimination of capacity makes it impossible for a plane to carry any mass, and that is why photons are massless, plane particles. No mass or extension is lost by acceleration; the Fitzgerald Contraction is merely a mathematical illusion produced by the limits of precision. So now you know what the mysterious Fitzgerald Contraction is all about. A child can understand it easily, but professional mathematicians can confuse the obvious beyond the comprehension of a Philadelphia lawyer.

*1 The mutually repelling feature of small bodies produces the illusion perceived as the mysterious "Fifth Force". This illusion is produced when the proper velocity of particles/ bodies exceeds the orbital velocity defined by their positions in their field. Collisions among congregated bodies in orbit exchange velocity to produce a gradual separation.

*2 Whereas the electrically inert, gravitically active chunk defines the quintessential third dimension, the electromagnetic but massless photon defines the exact plane of the fourth dimension.

During its growth, the gravitic field of a star is supervened by its electromagnetic field. When a star collapses into a Black Hole, all its manifest gravitic features condense into the electromagnetic force. A star that collapses into a Black Hole assumes atomic dimensions; the cosmic Black Hole is nothing but a glorified atom. Thus, the third dimension spans the space between quadimensional Black Holes defined by the atom and the quadimensional Black Holes of stars.

*3 The same mathematics that prove a photon at light speed to be a plane is extrapolated to prove that a particle's trailing end gets ahead of its leading end when exceeding light-speed, to produce reversal of extension on the axis of travel and reversal of time. In other words, hyperlight speed transforms a structure into its negative. As a practical consequence, orbitting bodies are experimentally proven to precess in time as Einstein calculated correctly.

The negative of solid material is mathematically emptier than the perfect vacuum, and that is why a hyperspacial structure can contain an indefinite number of trispacial stuctures in the same space at the same time.

All fields have hyperlight centres, which is why all fields suck. All fields are glorified Bournelli Force.

Field repulsion is defined wherever the velocity separating particles is less than light speed, but greater than zero. Thus, we find that mutual repulsion is reduced in both directions from a velocity differential of half light speed; the next chapter explains why mutual repulsion is defined by the square root of twice light speed, empirically. As a consequence, we find that all celestial bodies within the same scale of size repel each other more than they attract each other, and that is why all the planets maintain the largest possible average distance from each other, instead of gravitating into a clump. Velikovsky got pilloried for pointing out the mutual interplanetary repulsion that no astrophysicist could see. What greater punishment would have befallen Velikovsky if he managed to explain the phenomenon correctly?

*4 A star cannot be tridimensional because it is a mass of free radicals, atomic particles, and blazing photons. A star is actually space in the process of condensing into hyperspace.

Most astrophysicists will allow that a Black Hole is space concentrated into hyperspace by gravity. A Black Hole is calculated to be a gravitic centre of such intense concentration that anything falling into it exceeds the speed of light; even light cannot escape from the interior of a Black Hole.

Now, if you take this information to an atomic physicist, you will be told that particles radiate intensely as they are accelerated to the speed of light. Specialists never compare notes under penalty of losing their membership cards, but as a lay person, there is nothing to stop you from putting the empirical fact of the atomic physicist to the calculated fact of the astro-physicist to deduce that everything falling into a Black Hole must radiate with the intensity of a quasar before disappearing into the gravitic maelstrom. In other words, it is physically impossiblefor Black Holes to be black; they must be the most brilliant centres in the known universe. And that is what a star is; a star is the brilliant photosphere surrounding a nascent Black Hole.

*5 In a universe undergoing exponential aceleration, every observer experiences himself to be the One Still Point while everything accelerates away at a rate that increases with distance. Since wave strustures accelerate as a condition of their physical existence, the Big Bang is an unnecessary postulate.

Since mass is a function of velocity, mass must increase as a function of distance. Infinite mass is found in atomic nuclei where velocities exceed light speed. In fact, all mass is defined by nuclear particles.

Since velocity also accelerates to light speed at the event horizon, it follows that the event horizon must also be defined by infinite mass; astrophyicists are busy seeking a lot of missing mass and can't see it for looking. Since gravitation is a product of mass, it is necessary that the cosmos gravitate with accelerating velocity to the event horizon --- which is what the Big Bang is all about. The point is that the self-evident can be confused beyond all comprehension, with a little mathematics, if you don't know what the equations mean.

A simple demonstration will prove that all empty space is a hyperspacial hologram. Fix your camera on a tripod and take a picture through the aperture set at f/16. Then, take another picture after you open the aperture to f/2. You can see that both pictures are practically identical, except for depth of sharply focussed field.

The aperture opened to f/2 passes a beam of light sixtyfour times greater in area than the aperture closed to f/16.
This means that each beam of light, no matter how constricted, contains the same information as every other beam and all beams put together. The only change that aperture makes is the resolution of fine detail. Furthermore, no matter where you set the camera, your pictures reveal essentially the same information; the only difference that perspective makes is the relative sizes and positions of the image details. If your lens could accept rays from all directions, you would see that every location in space contains all the same information as every other location; the differences produced by different locations are merely a matter of spacial sequence, aspects, and relative size. A space that contains all its information in all of its parts answers the mathematical definition of a hologram. You can see for yourself that we live in a cosmic hyperspacial hologram.

The hypothesis of the universal hologram is shaking scientific thought to its foundations at this time, but the proof has been self-evident to everyone since the effect of the pinhole camera was noticed. How 'bout that, Sir Isaac? William Blake understood the universal hologram when he saw the universe in a grain of sand; art is truth apprehended directly with no need for logic --- so is insanity.

Everyone has seen holograms in charm bracelets, on credit cards, in science fairs, and on the cover of NATIONAL GEOGRAPHIC. A hologram can be understood as a moire pattern made with light waves.

The hologram was inconceivable outside of a small cabal of theoretical physicists who plotted the mathematics since the beginning of this century, and a hologram couldn't be produced until the laser was invented to provide the necessary coherent waves. Without any parade of mathematics, I discovered the hologram while soaking in my tub, with my big toe protruding above the surface of the steamy water. I dare say many other soakers must have made the same discovery since bathing became intentional. (*1)

Ordinary light can be represented by splashing water in a bathtub until the surface is covered with random waves. In contrast, a slow drip from the faucet into a tub full of still water covers the surface with a regular, parallel wave pattern, illustrating the coherent light waves in a laser beam. Now, if you set a firm object in the tub so that it breaks the surface of the water, the regular waves will reflect from the surface of the object, and the reflected waves intersect the regular waves at an angle determined by the angle of reflection. Soon the entire surface of the water is covered with a pattern of regular waves perfusing with reflected waves. The remarkable feature of this pattern is that the angles of intersection are about the same over the entire surface; remember Euclid's theorem that a straight line intersects all parallel lines at the same angle.
In other words, every part of the surface of the water contains the same information; you have created a hologram in your bathtub. If it were possible to reverse the flow of the reflected waves, they would return to their points of reflection to reconstruct the cross section of the object.

The coherent light of a laser beam functions as a moire screen. Waves reflected from an object function as a second moire screen to generate an interference pattern, like you can see in your tub demonstration. A sheet of microfine-grain photographic film placed in the laser light will record a moire pattern of swirls and whorls; no camera or lens is needed. The extremely fine lines defining wave interference function as a diffraction grating and a diffraction grating functions as a lens. When another laser beam is shone through the film, the rays are bent to meet at focal points corresponding to resolved points on the surface of the photographed object so that projection reconstructs the form of the original solid object as a ghostly image in space viewable from all sides. A real ghost is a natural hologram.

Any movement while a hologram is being exposed will blur one wave into another to register nothing but an even light fog.
Therefore, holograms are photographed on heavy stone tables firmly set on bedrock --- after consulting timetables for nearby railways and jetliner takeoffs, and the children are asleep.
Furthermore, the photographic film must be at least as fine-grained as the moire pattern in the laser light if the image is to be resolved. Film speed varies directly with graininess, so holographic microfilm is the slowest emulsion since Daguerre clamped his portrait sitters in a vise. The growing interest in holography is likely to stimulate Great Yellow Father to improve the speed of fine-grain film, while inventors will figure out ways to simulate holography by more practical techniques formaking television images in-the-round; the solution to cheap holograms seems to be in computer graphics.

Holograms confound common sense because few people have ever seen diffraction gratings, and fewer have any idea how they function as lenses. Light bends around the edge of material particles, like you can see waves bend around your own big toe sticking through the water surface in your tub. Waves are bent by the edges of material structures because every body produces photonic turbulence around its surface, and turbulence retards the smooth transmission of wave energy. The more edges a ray of light brushes, the more it is bent. The amount of bending a diffraction grating imposes on a transmitted beam is determined by the closeness of lines in the area. In other words, the refractive index of a diffraction grating is a function of the concentration of the lines; the refractive index approaches infinity as the lines crowd together; the material becomes opaque when the lines touch each other to become a continuous area. A continuously accelerated density of lines across the diameter of a diffraction grating can bend all rays to the same focal point, like a parabolic glass lens or a Fresnel lens. A holograph of a lens functions as a lens. Since it is easier to print a diffraction grating onto an optical flat than to grind and polish delicate glass, Japanese are trying to solve the problems of diffusion and opacity in order to manufacture camera lenses as compact, light, and inexpensive as filters.

The swirls and whorls of lines you see on a hologram mean that the light-bending power varies over its surface. A hologram is a complex lens with many focal points. A hologram can also be conceived as an array of innumerable lenses of different focal lengths, each focal point corresponding to a point resolved on the original object. Therefore, a hologram projects a tridimensional image instead of the plane image defined by an ordinary lens with a single focal length.

The concept of photographic negative is imprinted in the mind so that people continue to perceive the hologram as a negative image even though there is no image on the film. As a consequence, watching a hologram being cut into several pieces with each piece containing the entire image is utterly baffling, demonstrating as it does that Aristotle's Three Laws of Logic are not absolutely true, but merely expresses the way the mind defines its perceptions. This modern miracle of loaves and fishes is also self-evidently simple when you think about what you actually see instead of see what you think you see.

A hologram is not a pictorial image, but an array of lenses that projects the same image from any light. You can see how a hologram works by looking through a window sectored into many small panes. The view through each pane is the same, except for parallax displacement, and the view is complete no matter how small the pane. Likewise, you will find the same view through each lens in an array. A hologram is composed of millions of lens-like panes, mixed as thoroughly as gas molecules in the atmosphere. Since every part of a hologram has an equal sampling of replicated lenses, it is obvious that each part must project the same picture in its entirety. As a hologram is reduced in size, however, the number of lenses it contains is reduced, and the holograph becomes fuzzy when there are insufficient lenses to resolve each point in the image, uniquely. (*2)

The universal hologram is composed of points in a volume rather than lines on a film plane. Every particle in the cosmos functions as a point in a voluminous diffraction grating, bending light as Einstein calculated the curve of waves around the Sun.
The bending produced by the Sun is noticeable only to astrophysicists looking for the phenomenon; the bending of light by atomic particles is immeasurably minute, but there are an infinite number of particles in the cosmos, and compounding their refraction over a few million light years adds up to the curve of space around the fourth dimension. Einstein's mysterious curve of space, you see, can be understood as an effect produced by the diffraction of light as it flows through the cosmos.

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